很好奇sam mendes作为一个白人导演为什么会选择这样一个夹杂国家性的种族歧视浪潮的时期、去呈现跨种族爱情的视角 从这个角度讲的剧本是一个很中规中矩甚至有些老套的叙事 因为类似的叙事在英国太常见了
最近似乎很多导演都在缅怀那个年代。(Babylon、fablesman…)在想是不是电影工业走下坡路的一种体现。
The Trees
by Philip Larkin
The trees are coming into leaf
Like something almost being said;
The recent buds relax and spread,
Their greenness is a kind of grief.
Is it that they are born again
And we grow old? No, they die too,
Their yearly trick of looking new
Is written down in rings of grain.
Yet still the unresting castles thresh
In fullgrown thickness every May.
Last year is dead, they seem to say,
Begin afresh, afresh, afresh.$#
喜欢晴天,厌恶阴雨,洒进窗户灿烂的光,让我短暂忘却一切bullshit。但是你无法改变大气变化和行星自转,你总有接受不到自然光亮的那一刻,此时,进入周遭黑暗的房间,抬头望向银幕,光影的璀璨将关闭的心门重新打开……
我爱电影的理由,以上便是其一。对光亮的爱和依赖,让开片逐一打开影院灯光的一系列镜头,格外使我着迷。暖色的魅力就是在于,即便周遭了无一人,你依旧能因为这些闪耀的光线感受到内心足够的炽热。
接近尾声对应开头,有一个逐步关灯的场景,但是黑暗只是短短停留的一瞬
《光之帝国》$罗杰老爷子的摄影 我的爱
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