剧中十六分钟的the red shoes芭蕾舞，叫我看得目不转睛，惊叹其舞台布景的宏伟及其精美。其剪辑手法和特技，既匪夷所思又行云流水，该片的灯光师、美工师很是了得。
If there is a poll of the most factitiously gorgeous movies of all time, Powell-Pressburger’s THE RED SHOES will no doubt be surmounted on the top tier, for its kaleidoscopic use of Technicolor, highlighting the minutiae of its personages’ fine complexion under sublime warpaint, carrying on to a fairyland luster that reflects the center story, and most extraordinarily, its scenography of phantasmagoria and spectacle, conjured up by art director Hein Heckroth.
@《导演学基础教程》p33-34
“这时前台已奏响舞剧的序曲，她呆坐在化妆间里却经历着内心的风暴，为了艺术她放弃了刻骨铭心的爱情，长期的压抑，一日喷发竟使她不顾一切，穿着演出的戏装，脸上画着油彩，疯狂地冲出后台，向车站跑去，扑向高台下的铁轨....
剧场里序曲已结束，但大幕却迟迟不能升起，乐池里指挥不知所措，观众席也有了微微骚动，剧团艺术总监情绪激动地走出大幕，声音嘶哑地宣布:舞剧的主演刚刚去世了，为了纪念这位舞蹈天才，演出照常进行。场灯再次熄灭，音乐重新奏响，大幕升起
红菱艳：一个天才舞者的个人悲剧
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