-Do you promise to never leave this baby that we are having?
-I promise. I do.
Do you promise to stop talking about your ability to find or not find my vagina after I give birth?
-I do.
Do you promise to let me carve in my spare time, and teach our daughter the lore of the great Mississippi?
-I do.
Do you promise never to develop a thing for seahorses?
-I do.
Do you promise to let our daughter be fat or skinny or any weight at all? Because we want her to be happy, no matter what. Being obsessed with weight is too clich? for our daughter.
-Yes, I do.
Do you promise, when she talks, you'll listen? Like, really listen, especially when she's scared? And that her fights will be your fights?
-I do.
It was really good. The wedding was good.Marriage is great.But what you need to be happy,and sane,is this...
Okay,watch this.Here is you 2 guys.Okay,so you kiss,you do others things and then you make a baby.The baby comes in there and he nestles in.And you guys hug and get real tight.And then we do this.And this,and this...
It's your house.Now what is this?Is that your house.Now what is this?Is this a home?Is this a fammily?
NO,Of course not.That's just raw material.The people,the walls,the furniture.Okay,so that's the basics.
But that's not a home.That's not a fammily.What binds it all together is this...this is LOVE.
That's your love, guys.Here comes.The patience,your consideration,your better selves.
http://allyming.blogbus.com/logs/73776839.html
Sam Mendes（萨姆·门德斯），因为《Away we go》我才记住这位导演的名字，尽管在稍早前我就那么喜欢他的另一部口碑之作《Revolutionary Road》（革命之路）。对于现阶段的我，这类电影要打动我是极其轻易之事：一对彼此相爱的夫妻，他们行走在对未来的憧憬与对现实的迷茫之间，共同思考与追寻人生是什么。只是《Revolutionary Road》终究成为悲剧，而《Away we go》在幽默与惊诧中漂亮地完成了答案。在《R》中，Frank和Apile的“特别”让他们成为了受注目的一方、他人的观照；而在《A》中，轮到 Burt和Verona去观察别人。
对于该片被归类为温情公路电影，我不敢提出质疑，只是总感觉它的“在路上”成分不多。但我怀疑公路片是否大多与“回归”无关。（突然意识到事实似乎正好相反，《德州巴黎》和《爱丽丝漫游城市》都能为我的疏忽举证。）而这部片子的主题无疑是回归。Verona担心即将诞生的孩子身边没有亲人与挚友相伴，于是走遍同事、妹妹、大学同学等相熟的人所在的城市以寻找最适合定居的地方
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《为子搬迁》
●导演：萨姆·门德斯
●主演：约翰·卡拉辛斯基
萨姆·门德斯拍起轻喜剧让一些观众感到欣喜，片中的夫妻彼此默契，交流无碍，有很多感人的非典型对白。
萨姆·门德斯(Sam Mendes)拍起轻喜剧让一些观众感到欣喜———没了之前两部作品的沉重压抑，只是就事说事谈情论理。格局不大，关于寻找的主题不新鲜，那就用千奇百怪的人物和现状来做戏。片中的大龄夫妻要迎接新生儿，烦心事不是没经验，而是家在郊野。他们想找个好地方，方便照顾孩子，有利孩子以后的成长。趁着孩子还没出生，两人托亲拜友，多处联系，踏上了寻找快乐老家的漫长路途。
打从开头的床上戏开始，《为子搬迁》(Away We Go)就种下了幽默的种子。丈夫幽默风趣，从拿捏腔调到打情骂俏，无所不能。他总能想出各种方法来逗妻子开心，也会对遇见的极品们进行必要的行动反击。扮演妻子的那位不是传统的美型演员，但这个夫妻二人组合确实般配，跟他们的“自由身份”很搭。可能正是面对眼下的无根状态，加上意识到以后有了孩子，生活必须有所不同
《为子搬迁》谁来实现我对爱情所有的幻想。
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