It has obvious similarity to several typical movies created by the other members in the Fifth Generation: Yellow Earth by Chen Kaige, Red Sorghum by Zhang Yimou, no matter from the aspect of text or language. All of them often cut between an extreme long shot and a big close-up. All of them talk about the conflicts between the lead characters and the necessary rules that a primitive society needs. And all of them tell us that the more primitive the community tend to be,
张建亚说:出了朱辛庄,我他妈只服田壮壮。
田壮壮在《蓝风筝》后有较长一段时间没有执导过影片,在此之前,其影像风格和作品风格已经有了属于自己的味道。探索影像式的视觉呈现和自然流露的表演,民族信仰的精神内核和弱化叙事性共同组成了田壮壮这两部美妙而又空灵的作品。出品于1984年的《猎场札撒》和1986年的《盗马贼》足以窥见镜头背后,田壮壮导演狂热天真的电影情结,和独属于自己对电影的理解。
当我看完这两部影片后我的第一反应是摄影神了。出身于摄影的田壮壮
“盗马贼”马丁.斯科塞斯心中90年全球最佳却充满争议,这部国产片讲的是?
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