The sad thing is, Michael Moore is a really, really good filmmaker. A gifted story teller too, in that he makes everything, no matter how dire, or how dreadful, or how boring, interesting. But this doesn’t mean what he says makes sense, such is the case with Capitalism; A Love Story.
Despite his fondness for showmanship, he does make valiant criticisms in regard to capitalism, such as the shady Henry Paulson rescue, but they are simply too far in between. Instead, what we get is a diatribe that is inherently incoherent and distorted. Populism puts on a good show, but it never amounts to anything. Why? Because it is irrational, and it is destructive.
整部电影好的地方不在于它用了多好技术拍摄，而在其表达的思想对西方世界来说是当头棒喝。
金融危机后，更多的人开始说资本主义的不好。该片也算是顺势而流的作品吧。说实话，不论是资本主义还是社会主义，当发挥到极致的这点，本身就是个错误。现在不过是资本积累过甚，泡沫过多，导致经济崩溃，西方的资本主义先把它的弊端暴露无遗罢了。看着别人制度的失败，不要沾沾自喜。就算经济再衰退，很多人的生活水平还是比我们高得多。但是也没必要多自卑，既然我们选择社会主义，那就好好建设它。我永远不相信，我们能达到所谓的通过社会主义，最后达到共产主义的理想。这种像笑话一样的东西，也只能是驴子前头那根永远吃不到的草。对我们来说，最重要的不是我们有多腰缠万贯，而是能脚踏实地的，以一种较为从容的姿态活下去。
我们要做的就是，不要重蹈覆辙，收起那“五十步笑百步”的愚蠢。
资本主义：一个爱情故事：William Black领衔，中美两国人民彼此羡慕的围城
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