Presumably no one should grudge a film director for making a movie as a love letter to woo his future wife, it is totally his de jure entitlement. IRMA VEP (the name is an anagram of VAMPIRE) is overtly Olivier Assayas’ token of love for Maggie Cheung, who would marry him in 1998, only their reunion would soon dissolve 3 years later, capped by a unusual valedictory project CLEAN (2004), which turns out to be quite a curate’s egg for her fans, it copped her a BEST ACTRESS
这是部有点无厘头的故事,因为似乎没头没尾。突然她就来了,又突然就结束了。似乎有一段含而未发的感情,也许两段,细节极不起眼,回味却无穷。但主角确实是她,也必须是她,戏里戏外都是一样。同样是老公拍老婆,陈凯歌是拍成洗发水广告,Tim Burton是拍成永远的神经病,这个拍的有神韵,有深爱。
不卖弄镜头,突然出现的两段短暂的卖弄一下子惊住你。在塞纳河边风吹起坐在摩托车后座上的Maggie的发,后面是虚焦的灯光,绝美。Maggie突然魇住去真做女飞贼,偷了宾馆女人的项链,跑到天台上大雨正倾盆。她呆立在楼边良久,手上的珠宝滑落下尘世万千灯火中,惊艳。
被涂画过,眼里射出光线的张曼玉是最后的结尾,留下片子,她平静的离开了。
至情至性,无所不能为。
所谓法国电影。
【迷离劫】就像现实生活片段的记录
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