通常歌舞片,把表演者和观众带到一段亲密关系中,随之这些被表演者“舞台以外”的冲突,例如追求、爱情和婚姻等加强了。然而男主角“另外的女人”比起女主角“另外的男人”对于叙事来说,是一个更为重要的角色。她们通常是一种诱惑的,道德上可疑的类型,并且通过对比,去放大女主角的美德。
“音乐标志着迈向表演的进程,当所有威胁到表演存在的争吵都结束时,他最终庆祝表演本身。”歌舞片中表演融合、调停了冲突的态度和角色的生活方式,所以它通过表演本身来庆祝歌舞的本性与以婚姻为代表的文化的结合
Another Oscar BEST PICTURE winner confected by Vincente Minnelli, the maker of GIGI (1958), comes a cropper as a fustypomp through the test of time, AN AMERICAN IN PARIS,a studio-bound pageant jovially trades on Gene Kelly’s terpsichorean aptitude, Oscar Levant’s pianistic virtuosity and Georges Guétary’s mellow tenor, also introducing a barely 20-year-old Leslie Caron, who fares way better on pointe than acting love-torn between two men.
奥斯卡·黎凡特主演,一个美国人在巴黎
转载请注明网址: https://www.fujiacm.cn/dy/id-34747.html