Maybe it was the initial pattern of the Media Self-reference which would be used by Wes Anderson after decades. Maybe it can be called as “Drama Stage Self-reference”.
It used complicated cross blockings in one long take to form clear levels of distance from audiences. Together with slow camera movements in same height and the movements often running across the walls, it successfully created the sense of rectangular space simulating the traditional drama stage.
《小城之春》——不知所起，一往而深。
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