工作,很多时候是校园生活的延续,同时也是毁灭。
绝大多数的企业单位都延续了学校的条条框框,固定的时间,固定的地点,以前被成绩压迫,现在被业绩压迫。
同时,校园的纯真又被毁灭地几乎一干二净。身边的人不再是下课也一起玩耍的同学,而是下班就各走各路的同事,真心的朋友越来越难交。以前讨厌一个同学远离即可,后来讨厌一个同事,却会因为工作不得不继续与其交流。
类似这样的情况,有人1961年就拍成了电影。埃曼诺·奥尔米用朴实纪录的风格打造出一部《工作》
A humanist masterpiece. The film is certainly against the dehumanizing aspects of corporate life, but one hesitates to call it a "protest" movie, like some of Chaplin's repertoire. There is no expressed anger, but what I see as a reasonable, controlled indignation, made poignant by sympathy and sensibility.
Olmi's films never disappoint. His technical background gives him fine eyes for the subtlety of light and shadow in black/white cinematography. His two best-known works, "Il Posto" and "Il Fidanzati", are the epitomes of B/W accomplishment.
那个时候,正是意大利经济迅猛发展的时刻。
那个年代的年轻人现在正享受着医疗等各种福利,在意大利全境养老。
没办法,都是这么过来的。这就是人生!
(未完待续)
《工作》[Film Review] Il posto (1961)
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