對於一個每天看電影的人來說這樣的家庭經歷沒有特別的，甚至可以說很普通。本片最讓我意外的是所有人對母親婚外情的態度！沒有一個人感到難以接受，就是作為丈夫開始有幾秒猶豫很快也接受了。這不失為明智之舉，因為人已去，事已發生，你能做什麽除了理解接受改變自己態度坦然處之你又能做什麽？子女們是另一種情形，在一個沒有道德束縛的社會裏，一個人道的社會裏，婚外情就是一種人與人之間的關係，沒有任何的標籤，任何的道德評判，任何的對或錯，恥辱和不堪，所以子女們也就只是滿足於發掘真相。真相一旦大白，thats all。彼此之間的關係仍然維持在原來的狀態，兄弟姐妹還是原來的兄弟姐妹。由此我得出一個判斷：一個沒有被道德綁架的社會因為沒被道德綁架人道就會增長，愛變得更加純粹---或為身體的愉悅，心靈的愉悅，人各取所需。人人都有這樣的權利，也理解接受他人的權利。
某種程度上說這是我理想的大同社會的一種形態。
This film directed by Sarah Polley was funded ad produced by the National Film Board of Canada, which won the Oscar for best documentary film in 2013. To be honest, this is my first time seem a documentary film, due to the requirement of unit study, but it does gives me a strong impression that documentary film can be so interesting and attractive. Polley made this film in a subjective style, about a woman and her relationship with her family, however the film gradually changed the key point of this story from the secret love affair of the woman, Polley's mother, to Polley's birth secret. By employing several interviews with siblings and others which holds different perspectives, Polley represent the story in a subjective way. To make this film actively, she also used real Super-8 home-movie footage and fake Super-8 reconstructions, which she showed at the end of the film, even ask Mi
故事与真相：为什么有一些电影让你看后无话可说，而有一些，却让你产生无数欲语的念头？
近日 ，我看了两部电影，一部叫《远离天堂》，一部叫《我们讲述的故事》。对前者，我只对两位女演员有些感触，而对后者，感觉，让我写两万字也是做得到的。
《我们讲述的故事》，是一部讲述导演寻找生父的纪录片，故事一波三折，真相隐含其中。
我奇怪的是：
1、到底，什么是故事？什么是真相？不同的视角之下，不同的叙述者之间，这两者会有多大的不同？
2、让我想到经典电影《罗生门》、《关于我母亲的一切》
In 2023, in recounting the story in a podcast Sarah said her version was absent in the film, and she only wrote it out after her father has passed away in 2018, so he would not have to bear the hard feelings of the self exposure of his daughter.
《我们讲述的故事》完美的纪录片片 纪录片的表演性
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