故事发生在七月到九月的夏日,一段有始有终的友谊。我感受更多的是友谊,两人有相同的烦恼,艾滋病检测结果而焦虑。一场组织把两人联系在了一起,男主对于自己犹太人身份和爸爸死亡成长的烦恼,男二是父母眼中的乖乖男孩,认真读书,对与自己的感情忽略和隐藏。两人都在成长中试探,女主和男主的友谊互相一起工作,帮忙。这些都是友谊里的小伙伴,陪伴自己走过一车程。
三个月不长也不短,可是似乎会改变一个青春少年懵懂不愔世事的戳爷(oh no,戳爷懂得比谁都多)一生的的这三个月却在导演近乎于MV的拍摄下显得那么的美好。导演有着自己的叙事方式,这三个月似乎很紧迫的时间周期,但是又不长的时间周期,在这个周期里,易背叛的爱情在滋生着,身边的“朋友”在离去的,最后留下的只有奶奶和爷爷的开明与关怀以及发小的追随,有舍有得有失去有获知,这便是青春,这便是戳爷这个年纪面对问题时所应该有的青春感。
满屏pink的色彩和马卡龙色很治愈,也很独一份的小清新
The plotting in "Three Months" throws every tear-jerking idea possible at the wall just to see what sticks. Perhaps because the movie is limited on something new to say, it stays busy with its many broad themes related to his coming-of-angst, concerning identity, family, community, friendship, loyalty, pride, etc. But sadly, the film is filled with too many stereotypes and clichés. This takes away from the movie’s potential emotional sweetness, when it already relies on
“三个月”朱迪·格雷尔作品,不要让爱你的人一无所有
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