看过一些公路片之后,会对这个题材的套路有些见头知尾,导演往往特别想通过一对搭档的一段旅程作为横切面,去展示电影拍摄时的社会,所以很多时候是会出现一些非常刻意的煽情、逗乐、深沉等等。
这个电影导演我怀疑是个有内向敏感特质的人,或许还有点同性倾向,因为台词和人物表现上会时不时让我的雷达滴滴一下。比如,麦克斯和妹子睡完,第二天说做爱有益身体健康。莱恩问麦克斯,你之前所在的地方没有女人,那你们怎么做爱?麦克斯无语。再比如,他趁着麦克斯分神的时候做女步跳舞
Jerry Schatzberg (born June 26, 1927 in Bronx, New York) is a photographer and film director. He photographed for magazines such as Vogue, Esquire and McCalls. He made his debut as a feature film director with 1970's Puzzle of a Downfall Child starring Faye Dunaway. He went on to direct films such as Scarecrow, which won the grand prize at the Cannes Film Festival in 1973, Seduction of Joe Tynan, Honeysuckle Rose with Willie Nelson, Misunderstood, Street Smart in 1987, and The Panic in Needle Park, which starred Al Pacino.[1]
He was a member of the jury at the Cannes Film Festival in 2004.
As a still photographer, one of Schatzberg's most famous images was the cover photo of the Bob Dylan album Blonde on Blonde, released in 1966. A collection of Schatzberg's images of Dylan was published by Genesis Publications in 2006, titled Thin Wild Mercury.
乍一想,还真不能马上说出稻草人到底是什么意思,但好像就是那种架在田间,用虚假的外形来吓走一些飞禽小走兽,不过遇上大胆的,落到你身上就知道你只是个稻草人而已,可能諑的你体无完肤。很荒凉、很孤独、很软弱(没有还手之力)。
回忆了一下,好像我以前真的没有看过露天电影,原来这是我看的第一部露天电影。。。寒风瑟瑟,感谢巴黎市政府,虽然冻得我半死,但这部电影还是很幽默的,共鸣和感动都从al pacino在电话亭打得那个电话开始,在这段之前,我只是感觉这是一部轻松幽默,演员表演很有劲的电影。但当pacino从电话亭里出来,被问到是男孩儿还是女孩儿的时候,他的回答让我崩溃了 就那个时候,开始喜欢上这部电影,靠,pacino演的无可挑剔。
到了最后医院的一段,当一个主角躺在床上一动不动,另一个主角拿着自己的小本子,说着自己有钱照顾他,却也束手无策的时候,我也明白了稻草人的意思。用一句很俗的句式来造句的话,就是:我们都是稻草人。
说实话,有个别细节没看懂,虽然是英文原版,但露天音效实在= = 而且也只能参考法语字幕。。
乌鸦与稻草人
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